Harry Partch - Enclosure Two (1995)
mijn stem
geen stemmen
Verenigde Staten
Neoklassiek
Label: innova
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I am Harry Partch (0:24)
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By the Rivers of Babylon (137th Psalm) (3:25)
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Texts and Music: A Wagnerian Wrestling Match (1:21)
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A Dream (4:33)
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An Encounter in the Field (0:48)
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On Hearing the Flute (0:59)
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The Intruder (1:09)
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I am a Peach Tree (1:25)
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With a Man of Leisure (0:44)
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A Midnight Farewell (1:16)
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Before the Cask of Wine (2:10)
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On the Ship of Spicewood (2:31)
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By the Great Wal L (1:55)
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The Use of English in Serious Music (0:57)
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Barstow — Eight Hitch-hikers' Inscriptions from a Highway Railing at Barstow, California (8:26)
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San Francisco — Newsboys Cries (2:29)
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Life Is Too Precious to Spend It with Important People (1:29)
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U.S. Highball — a Musical Account of Slim's Transcontinental Hobo Trip (26:45)
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While My Heart Keeps Beating Time (1:36)
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San Francisco II (2:50)
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I'm Going to Start Right Off by Giving You Some Sounds… (0:29)
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Isobel (2:52)
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Annah the Allmaziful (2:21)
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Dark Brother (7:41)
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Prelude to Talk (2:14)
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Introduction to Examples of Intonation (6:01)
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Scale of Olympos (Pentatonic) (1:03)
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Enharmonic Scale of Archytas; Separated by 3 / 2's; Triads (1:33)
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Scale of Pythagoras; Separated by 3 / 2's; Triads (1:05)
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Ptolemaic Intense Diatonic; Separated by 3 / 2's; Triads (0:51)
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Ptolemy's Equable Diatonic; Separated by 3 / 2's (1:22)
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Terpander's Hexatonic (1:49)
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Close Degrees (1:05)
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True and Tempered Triads (1:20)
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Resolutions from P. 186 of Genesis of a Music; Resolution P. 187; "Familiar" Resolution (2:21)
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Fox-Strangeways Resolutions (2:24)
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Tonal Flux from Genesis, P. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another from P. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…" (3:54)
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Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…" (2:37)
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Multiple Tonal Senses from Dark Brother, "And We Who Were Lost Are Found Again…"; "Until Our Hearts Are Corrupted, Out Talent Wasted, and Our Hope Gone."; "Have We Not Known Triumph, Joy, and Glory on This Earth?" (4:02)
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Melodic Subtleties from the Street, "Down Maxwell Street, Where the Prostitutes Stand in the Gloom…", U.S. Highball, "Back to the Freights for You, Boy." (1:43)
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Melodic Subtleties from the Bewitched (6:10)
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Instrumental Tunings: Harmonic Canon I as Iin Revelation; Petals; Chromelodeon Two Sets of Reeds; Revelation (10:40)
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Dissonances and Consonance: Coda to Oedipus; Coda to Revelation (6:50)
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June 11, 1935 — Santa Rosa, California (0:27)
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June 12 — Federal Shelter, Stockton (3:37)
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June 13 (1:28)
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June 14 (1:22)
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June 16 — Harrington Ranch, San Joaquin Delta (3:27)
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June 17 (0:27)
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July 4 (3:50)
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July 14 (0:50)
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July 16 (1:16)
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July 19 (1:11)
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July 20 — Heading North, Between Sacramento and Redding (2:24)
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July 24 — Federal Shelter, Portland (2:25)
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July 25 — Blue Ox Lodge, Seattle, Washington (4:16)
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July 27 (2:33)
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July 29 (0:25)
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July 30 (0:29)
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August 7 — Between Grants Pass and Klamath Falls, Oregon (1:56)
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August 15 (1:31)
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October 22 — Nearing Monterey (5:01)
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October 24 — Leaving Big Sur (2:33)
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October 25 — Near Slate's Hot Springs (2:56)
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October 26 (1:22)
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October 27 (0:35)
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October 28 (0:17)
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October 29 (1:28)
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October 30 — Big Creek (0:53)
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November 12 — Santa Barbara (2:23)
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November 14 (0:31)
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November 15 — Leaving Santa Barbara (4:17)
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November 16 — Ojai (0:57)
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November 17 (1:02)
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November 23 — los Angeles (0:29)
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November 28 (0:19)
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December 4 (0:42)
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December, 1935 (8:44)
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February 1, 1936 — San Bernardino (4:00)
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Yankee Doodle Birds (0:36)
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Y.D. Fantasy — on the Words of an Early American Tune (3:54)
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O Frabjous Day! (3:10)
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You Are Charged with Being Guilty. Are You Drunk or Not? (1:02)
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Ring Around the Moon — a Dance Fantasm for Here and Now (9:00)
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Bless This Home (3:21)
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Harry's Wake (46:23)